"If you're casting director on a Broadway show about a great blues songstress, select as your star E.C. Scott. Those in your audience who know blues will applaud, while the others will be blown away by her ballads, soul and R&B." Blues Access
"At a time when so many singers sound tortured and too many song-writers have nothing to say, E.C. Scott is a fresh blast from the past." Stereo Review
"Scott has one of the sexiest, smoothest, and most understated deliveries in the genre and is a powerhouse entertainer to boot. Blues Revue
E.C. Scott has developed her own style, a refreshingly original and distinctively modern approach. Her enticing, rich voice, hook-laden arrangements, and intelligent, at times humorous, lyrics come together to produce songs that aren't easily forgotten.
No less a music industry legend than Jerry Wexler, co-founder of Atlantic Records, called E.C. Scott "one honest-to-God soul singer." High praise indeed from the man who produced Aretha Franklin, Ray Charles, and Wilson Pickett! Blues and R&B diva E.C. Scott possesses a warm, inviting voice and a delivery that can be smooth and sultry one minute and sassy and sexy the next. She can mesmerize a crowd down to a whisper or rock them into a loud frenzy. |
We are proud to announce the Blues Foundation has awarded Guitar Shorty the 2007 Blues Music Award Winner - Contemporary Blues Album for "We the People."
Guitar Shorty was born David William Kearney on September 8, 1939 in Houston, Texas and raised in Kissimmee, Florida by his grandmother. He began playing guitar as a young boy, excited by the sounds of B.B. King, Guitar Slim, T-Bone Walker and Earl Hooker. His first lessons came from his uncle, but when it became clear that the youngster was serious about his music, his grandmother hired a tutor for him. "I learned so fast I was always two or three pages ahead of my teacher," he recalls. After a move to Tampa when he was 17, Kearney won a slot as a featured guitarist and vocalist in Walter Johnson's 18-piece orchestra. Being younger-and shorter-than the rest of the band, the club owner bestowed the name Guitar Shorty on him, and it stuck. After a particularly strong performance in Florida, the great Willie Dixon, who was in the audience, approached Shorty and said, "I like what you're doing. You've got something different. I gotta get you in the studio." A few weeks later Shorty was in Chicago and, backed by Otis Rush on second guitar, he cut his first single, Irma Lee b/w You Don't Treat Me Right, for Chicago's famed Cobra Records (the first label home for Rush, Magic Sam and Buddy Guy) in 1957. "Willie Dixon was a huge influence on me and my singing," Shorty remembers. "If it hadn't been for him, I never would have recorded."
After recording the Cobra single, Shorty's fortunes continued to rise, as the great Ray Charles hired the young guitar slinger as a featured member of his road band. While touring Florida, Shorty met one of his idols-guitarist/vocalist Guitar Slim, famous for his hit The Things That I Used To Do as well as for his wildman stage antics. Slim's manager offered Shorty the opening slot on the guitarist's upcoming tour, and Shorty jumped at the chance, following his hero to New Orleans. Inspired by Slim, Shorty began incorporating some of the older artist's athletic showmanship into his own performances. Before long, he was doing somersaults and flips on stage. Between his blistering talent and his wild stage shows, Guitar Shorty found his audience growing even larger. He recorded three 45s for the Los Angeles-based Pull Records label in 1959. Those six sides-all Guitar Shorty originals incorporating techniques learned from Willie Dixon-showcased his first-rate vocals and his dynamic guitar style.
He gigged steadily through the late 1950s and 1960s, working with Little Milton, B.B. King, Lowell Fulson, Sam Cooke, Otis Rush, Johnny Copeland and T-Bone Walker. Settling down in Seattle, he married Marsha Hendrix, Jimi's stepsister. Hendrix loved his guitar-playing brother-in-law, and confessed that in 1961 and 1962 he would go AWOL from his Army base in order to catch Shorty's area performances, picking up licks and ideas. "I'd see Jimi at the clubs," Shorty recalls. "He'd stay in the shadows, watching me. I hear my licks in Purple Haze and Hey Joe. He told me the reason he started setting his guitar on fire was because he couldn't do the back flips like I did."
Guitar Shorty moved to Los Angeles in 1971 and worked as a mechanic during the day while playing gigs at night until 1975, when he again became a full-time musician. He had his share of career tribulations, though, including a performance (albeit a winning one) on The Gong Show in 1978, playing guitar while standing on his head. After overcoming a serious auto accident in 1984, he recorded an EP for Big J Records and a few more singles (this time for Olive Branch Records) in 1985, showcasing his fat-toned guitar licks and deep blues vocals. The strength of these recordings kept him busy on the club scene, and he eventually landed a British tour in 1990.
Guitar Shorty cut his debut album for the JSP label in 1990 while on tour in England. Released in 1991, My Way Or The Highway received the Blues Music Award for "Contemporary Foreign Blues Album Of The Year" and revitalized Shorty's career in the U.S. With all the attention Shorty received, the New Orleans-based Black Top label signed him and released three albums (Topsy Turvy, Get Wise To Yourself and Roll Over, Baby) during the 1990s, and in 2001 Evidence Records issued I Go Wild. All received an abundance of positive press as he barnstormed his way across the U.S. and around the world, with stops in Europe, China and Malaysia. The Chicago Tribune declared, "Shorty's forte is his high-energy style and fluid, imaginative fretboard work." DownBeat raved, "Guitar Shorty's music is a funky, boisterous buffet of off-the-wall blues fun." Appearances at major festivals like The Monterey Bay Blues Festival, The San Francisco Blues Festival and The King Biscuit Blues Festival brought him to larger and larger audiences. At the 1998 Chicago Blues Festival, Shorty opened for his old boss Ray Charles and thrilled an audience of thousands with his jaw-dropping stage show.
With the release of WATCH YOUR BACK in 2004, Guitar Shorty's long rise to blues stardom grew exponentially. The outpouring of soulful emotion, the power of his playing and the strength of the material added up to the toughest album of Shorty's renowned career. Living Blues called Shorty "a blues rock original [who plays] screaming, empowered guitar and sings with streetwise defiance."
Now, with WE THE PEOPLE Guitar Shorty delivers a moving and soulful statement, featuring some of the most fire-coated fretwork he has ever laid down and the most thought-provoking songs he's ever recorded. He's playing with a passion and dedication almost unmatched in today's music scene. With dates constantly being added to his tour calendar, this guitar-wielding, soul-singing, rock-solid performer is set to bring his mind-expanding music to locations North, South, East and West. Always a celebrated live performer and now a top-selling recording artist as well, Guitar Shorty will no doubt find that WE THE PEOPLE will once again make him the people's choice. |
